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100 Movie Review

Tamil directors come up with a film at once that does not involve sexual harassment? Is it so difficult to write a story without mentioning Nirva, Polachi issue, infamous Nunambakkam murder etc.? Those who follow Tamil movie releases know what I’m saying closely Cop stories were the safest stock to

invest in for filmmakers about enough has been written and talked about, but Sam Anton’s police movie is basically set in a police control room.



This premise is interesting as the audience learns about the events in the police control room and how it works. I like it as an idea. But it needs to work because Sam Anton often diverts his attention from the story. His inconsistent storytelling, in particular, tests your patience during the first half and in return we get a mesmerizing love scene, song and slow action sequence.


Sathya (Atharva) dreams that groundbreaking cases can be handled but comes to the operator's room to call. Initially, some children called the control room and said that there was a threat of bombing their school. Satya gets tired of answering prank calls and waits for a real phone call that changes her life. And, it happens. Truth identifies how a teenage girl was murdered. Further, it leads to complexity and also we get a parallel track of the story, the drug running team.



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Sam Anton has taken a lot of cinematic freedom with the 100, which gives us an unrealistic twist that we can’t easily buy. But he sets things up well in the initial scene. Atharva got the opportunity to form many characters, which could have been avoided. A senior officer named Radha Ravi Pistol Prabhakaran, who had never had a chance to use his gun I had really found the whole angle unintentional.

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Hansika had just something to do with the film and eventually disappeared in the second half, much like the ‘commercial’ heroines. Forgive my generalization, but that's it. In an interview, Sam Anton said that female characters in the 100 were as important as the protagonist sighing; They were nothing.

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